#Firehose

All content on this website.

What Happens Next Only Depends On The State Of Affairs Now

Like a fading polaroid, memories are comforting lies we tell ourselves of an idealized past that never was. This album brings together some selected works created between 2016 and early 2024 that touch on this sentimentalism. Its retrofuturistic sound references the ‘80s, but doesn’t attempt to replicate that era exactly.

Fire With Fire

Part of Disquiet Junto Project #0555: A Simple Timer, a prompt to create a minimal composition that is minimal, only uses simple waveforms as voices, at most 5 voices, and uses no effects or post-processing.

Delyrical 3

Inspired by the death of Vangelis.

2600

sing me a song of
crimes we get away with

Sidran

What if “Nardis” was written in the bass clef?

Lemons May Stay

What if dubstep but nostalgic?
What if wubwub but in the ‘80s?

Didn't Make It

3:15am, you sit at a dive bar.

Used To Be Simpler

What if FM synths but jazz?
What if synthwave but soft acoustic drums?
What if Disintegration but in 7/8?

Three Body

Inspired by multi-star systems like Alpha Centauri, and the book “Three-Body Problem” in particular.

Main Menu

This piece could easily belong in a ‘90s-style video game. In fact, the structure of “Main Menu” was specifically chosen with this use in mind. The tune was composed on the Dirtywave M8 Tracker, another vintage-inspired piece of tech. The B side is a remaster from my back catalog, a pair of analog Moog synthesizers dismantled and reassembled digitally with chiptune-like loop glitches.

Places: FM Ambient

This EP uses Polyend Medusa’s digital FM synth engine to channel a unique combination of nostalgia, yearning, and calm focus. Featuring a single synthesizer, “Places” presents a variety of sounds that aim to be neither retro nor futuristic. Instead, it hopes to present itself as timeless: an artifact from a gap year when the world stood still.

Late Night Coding

A subdued single heralding an ambient EP produced entirely using a single hardware digital FM synthesizer, the Polyend Medusa. The B side is a remaster from my back catalog.

The Last Circle of Hell - Ptolomea

Through friends I learned of “Cities and Memory” and a project they announced for the 700th anniversary of Dante’s Inferno to create a soundtrack for it. I decided to participate.

Westworld Scoring Competition

Spitfire Audio, a well-known British sample library creator, teamed up with the producers of Westworld organizing a competition to score a scene from Season 3 of the show. I entered, without success.

2499

Between the motion and the act falls the Shadow.

jwelt02

Efficiency burns you out.

The Detached Observer

Total banishment of self-reference.

Passion/Obsession

Behind every successful trick is a period of near-constant failure.

You Catch It Breathing

Self-reflection goes beyond observation.

Practical/Whimsical

Prudence is an oversold virtue.

Grasping

The fact is, right now, you’re not special.

BCIV

A study of bass in long exposures. A communion with emptiness in poignant tranquility.

Exploration/Exploitation

Even the optimal algorithm doesn’t guarantee a perfect outcome.

Redshift

The distance between us is growing.

For Your Own Good

Overreact and overcompensate.

jwelt01

The long tail of the unknown.

Acrasine

Weakness, ambition, inner conflict.

Metafy

Ultimately, what is there?

Microbeats

Something is not quite right here.

recall

Released back in 2015 under Łukasz Langa’s given name, “recall” is spiritually the beginning of the RPLKTR project. It’s a carefully crafted ambient soundscape that rewards attention but does not require it.

Anomalies: Improvised Works 2007-2014

Ranging between laid-back coffee table jazz, powerful metal-inspired riffs and glacial ambient, this careful selection from seven years’ worth of solo piano improvisation recordings is a journey of contrasts.

Lifeline (36 floors mix)

After Duncan Patterson moved on from Anathema and later Antimatter, he formed a band called “Alternative 4”, a spiritual continuation of the Anathema album of the same name he mostly wrote. Since that album meant a lot to me in my teenage years, I was thrilled to be involved in the “Lifeline” remix.

Lethal Blow Soundtrack

In April 2013 I created the soundtrack for an indie game “Lethal Blow”, submitted for the Ludum Dare #26 competition.

Epitaph

In 2010 I met Mick Moss, the founder of the UK dark rock band Antimatter. I prepared a rework of “Epitaph”, a popular track of theirs for their anthology “Alternative Matter”.

Abandoner (Danse Macabre Mix)

I took part in a remix competition organized by KScope to remix the track “Abandoner”, from Steven Wilson’s first solo album “Insurgentes”. My remix won and got released on the “NSRGNTS RMXS” album, alongside members of King Crimson, TV On The Radio, and Engineers.